An artist based in Berlin and Tokyo.
Through the material construction of sound and music, his work gives spatial and temporal form to the contours of the untouchable.
The Caul is a multichannel sound installation built around the idea of the membrane as a sonic condition rather than an image. Composed from field recordings gathered around
the residency site, together with sounds captured from organic matter and small living systems, the work transforms environmental traces into a layered spatial composition.
Sound is treated as something that passes through, leaks, and changes—never arriving as a fixed form, but unfolding as resonance, circulation, and unstable presence. Through
multichannel audio and physical materials, The Caul constructs a listening environment suspended between intimacy and distance, enclosure and exposure.